Friday, June 21, 2019

We're Going to Need More Wine Download

ISBN: 0062693999
Title: We're Going to Need More Wine Pdf Stories That Are Funny, Complicated, and True
Author: Gabrielle Union
Published Date: 2019-01-15
Page: 272

“[Gabrielle Union’s] written a book of essays as raw and honest as anyone has ever produced. In this fantastic book, she discusses everything from sexual assault to the complexity of money in relationships to infertility (plus all the extra gossip you crave). Gab has not only excused the demons of her two-decade career, but she’s turned the exercise into primal scream therapy for her fans. As witty, warm, and assured on the page as she is in person, this book lives somewhere between Nora Ephron and Eve Babitz, with a touch of Audre Lorde’s radical awareness.” (Lena Dunham, Lenny Letter)“searing and powerful” (Washington Post)“We’re Going to Need More Wine is a collection of funny and emotional essays...Union gets real about everything” (USA Today)“stunning...an affirmation of [Union’s] uncanny insight and profound capacity for empathy.” (Entertainment Weekly)“Moving” (Glamour)“[A] thought-provoking, funny, tell-it-like-it-is essay collection” (Cosmopolitan)“I have gotten the pleasure to know Gabrielle over the years and besides the fact that she loves to drink, I’ve always taken comfort in how much we have in common. The predilection to go from talking about the latest humiliating sexual position to a debate on politics or racism, that’s exactly what this book felt like to me, an honest conversation with Gabrielle about her life. I appreciate her integrity, love her humor and openness about her life. I also love the fact that she’s older than me . . . Go, girl.” (Chelsea Handler, #1 New York Times bestselling author of Uganda Be Kidding Me  )“I love this woman and her book.” (Mindy Kaling, #1 New York Times bestselling author of Why Not Me?)“We’re Going to Need More Wine is honest, raw, and funny. Union’s vulnerability about her flaws and mistakes, and also pride in her triumphs, will not only make you feel as though you’re seeing yourself reflected, but will also inspire you to be your most authentic self.” (Phoebe Robinson, New York Times bestselling author of You Can’t Touch My Hair)“A hilarious and moving memoir from a natural storyteller. Gabrielle Union explores love, family, trauma and racial identity in a book that somehow manages to be both heartbreakingly honest and laugh-out-loud funny.” (Brit Bennett, New York Times bestselling author of The Mothers ) Gabrielle Union is an actress and activist. Currently she stars as the titular character in the critically acclaimed drama Being Mary Jane on BET. She is an outspoken activist for women’s reproductive health and victims of sexual assault. She lives in Miami, Florida.

NEW YORK TIMES BESTSELLER

Nominated for the NAACP Image Award for Outstanding Literary Work

Named a Best Book of the Year by The Root

Chosen by Emma Straub as a Best New Celebrity Memoir

“A book of essays as raw and honest as anyone has ever produced.” — Lena Dunham, Lenny Letter

In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman.

One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real."

In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.

Grab some friends and a couple bottles of wine... I had 2 primary goals going into this book that i’ll honestly spill:1.I wanted to know why she hadn’t had children2.Why it appears Dwayne Wade’s third son is an elephant in the room no one can addressI know this is very messy and childish of me, but hey – like i said , i wanted to get into her business! I regretfully got the answer to my first question in the essay, “Get Out My Pussy”, and the second was answered by a woman in my book club who happened to go through the same experience . . .Although before I get into that, can i just say i love Gabrielle after reading this book. I’m no longer naive enough to say i like her from the characters she’s played on various movie screens, but i plainly love “Nikki”. She told her business so comfortably throughout this collection of essays, that i often found myself laughing out loud, nodding my head in agreeance , or simply telling her to “shutup and get to the point” so often that I felt as though i truly was sitting somewhere close to her ,where she felt comfortable enough to show me some of her “scars”.Some of my favorite essays in the book were, “Black girl blues”, “Crash and burn marriage”, and “Warning:Famous Vaginas get itchy, too. I felt like they removed a barrier to Gabrielle that was present (i could of put it there after watching Too Can Play That Game TBH), where she gives insight into her black experience in America, how that has affected many of her romantic relationships, and how being famous can result in putting vanilla yogurt in your vagina in the wee hours of the morning (you’ll have to read it to know what i’m referring too) Nikki is TRULY a personality removed from any script we may have seen her act out.Although with all that said ,i still felt myself judging her (which isn’t my place and i hated it whenever i would do it ) when she didn’t directly talk about Dwayne’s 4 year old son he had while they were on break. I mean, you see the hashtag #thewades and all you see are images of Gabrielle, Dwayne Wade, his 2 son’s from his previous marriage and his nephew that he raises. That it really left a “weird” taste in my mouth until one of my book club members stated that when she went through a similar situation – she didn’t speak on it until she was fully healed to discuss it. She suggested that Gabrielle may still be working through it, as she had to do with the rest of the issues she can now candidly discuss in these essays. Although when something is still hurting it’s not time to remove the bandage just yet… Overall, it was a great read that me and my book club enjoyed and i would recommend it to anyone who wants to read some crazy, hilarious, and sometimes sad stories and meet the leading lady whose brave enough to tell them.– KoriFans will be sated, and new fans will be created. If you are looking for a memoir in the strictest sense, this is not that book. If you are seeking a book of essays in the sense of argument presentation, again this is not that book. And that’s a good thing, because what this is, as the subtitle states are stories from the accomplished Gabrielle Union, which works out absolutely fine. And these stories run the gamut from the personal to the professional. She tells stories about race, gender, feeling inadequate, hair, colorism, homophobia, Hollywood, sexuality, school, college, step-parenting, marriage, divorce and even rape. She manages to tell these stories with a fearlessness that entertains as well as informs. Like a high-wire act with no safety net.Gabrielle comes across as a very thoughtful, likable, brave and funny woman, one that I think readers would indeed enjoy a glass of wine with. There are of course elements of memoir, as she takes us through her school years growing up in the suburbs of California, one of the few Black girls in her schools of Pleasanton, CA. There are also elements of essay, like the chapter called Mittens which deals with how Blacks are perceived and policed, and how we often go out of our way to make accommodations to those perceptions. In reference to this she says, “Worse, I am told that people don’t want to hear these stories, but the reality is we experience life in a never-ending loop in which we are told that if we just “make it,” we will enjoy the fruits of our labor: assimilation.”But what makes this book special are the stories and the way she tells them. And digesting the stories on the whole, we see her blossom into the confident audacious and vivacious woman she is presently. She wasn’t always the beautiful woman we think of, when we hear the name Gabrielle Union. In fact she describes herself at an early age,“I was so thin that I looked like a black daddy longlegs spider with buckteeth. This is not overly earnest, false-humility celebrity speak, I swear."It is those type of self-deprecating comments along with the willingness to bare it all that portends an air of authenticity. If you are a fan, you will become a bigger fan and if you’re not than surely you will become one after reading these stories from Gabrielle Union. Thanks to Edelweiss and Dey St. books for an advanced ebook. Book drops 10/17/17.Amazing woman; Amazing Book! I love Gabrielle Union even more after this book she is real open honest truly her authentic self. Love it.The book is very blunt and I can also relate to her not on all of the topics but many of them.

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Saturday, June 15, 2019

International Business (16th Edition) Free Pdf

ISBN: 0134200055
Title: International Business (16th Edition) Pdf
Author: John Daniels
Published Date: 2017-01-03
Page: 688

John D. Daniels, the Samuel N. Friedland Chair of Executive Management emeritus at the University of Miami, received his BBA, MBA, and PhD respectively at the University of Miami, University of the Americas, and the University of Michigan. He also holds an honorary doctorate from UPAO in Peru. His dissertation won first place in the award competition of the Academy of International Business. Since then, he has been an active researcher and won a decade award from the Journal of International Business Studies. His articles have appeared in such leading journals as Academy of Management Journal, Advances in International Marketing, California Management Review, Columbia Journal of World Business, International Marketing Review, International Trade Journal, Journal of Business Research, Journal of High Technology Management Research, Journal of International Business Studies, Management International Review, Multinational Business Review, Strategic Management Journal, Transnational Corporations, and Weltwirtschaftliches Archiv.  Professor Daniels has published 15 books, most recently Multinational Enterprises and the Changing World Economy (co-edited with Ray Loveridge, Tsai-Mei Lin, and Alan M. Rugman), three volumes on Multinational Enterprise Theory, and three volumes on International Business and Globalization (all co-edited with Jeffrey Krug). On its 30th anniversary, Management International Review referred to him as “one of the most prolific American IB scholars.” He served as president of the Academy of International Business and dean of its Fellows. He also served as chairperson of the international division of the Academy of Management, which named him Outstanding Educator of the Year in 2010.  Professor Daniels has worked and lived a year or longer in 7 different countries, worked shorter stints in approximately 30 other countries on 6 continents, and traveled in many more. His foreign work has been a combination of private sector, governmental, teaching, and research assignments. He was formerly a faculty member at Georgia State University and The Pennsylvania State University, director of the Center for International Business Education and Research (CIBER) at Indiana University, and holder of the E. Claiborne Robins Distinguished Chair at the University of Richmond.  Lee H. Radebaugh is the emeritus Kay and Yvonne Whitmore Professor of International Business and former Director of the Whitmore Global Management Center/CIBER at Brigham Young University. He received his MBA and doctorate from Indiana University. He was a faculty member at The Pennsylvania State University from 1972 to 1980. He also has been a visiting professor at Escuela de Administración de Negocios para Graduados (ESAN) in Lima, Peru. In 1985, Professor Radebaugh was the James Cusator Wards visiting professor at Glasgow University, Scotland.  His other books include International Accounting and Multinational Enterprises (John Wiley and Sons, 6th edition) with S. J. Gray and Erv Black; Introduction to Business: International Dimensions (South-Western Publishing Company) with John D. Daniels; and seven books on Canada–US trade and investment relations, with Earl Fry as co-editor. He has also published several other monographs and articles on international business and international accounting in journals such as the Journal of Accounting Research, Journal of International Financial Management and Accounting, Journal of International Business Studies, and the International Journal of Accounting. He is the former editor of the Journal of International Accounting Research and area editor of the Journal of International Business Studies.  His primary teaching interests are international business and international accounting. Professor Radebaugh has been an active member of the American Accounting Association, the European Accounting Association, the International Association of Accounting Education and Research, and the Academy of International Business, having served on several committees as the president of the International Section of the AAA and as the secretary treasurer of the AIB. He is a member of the Fellows of the Academy of International Business. In 2007, Professor Radebaugh received the Outstanding International Accounting Service Award of the International Accounting Section of the American Accounting Association, and in 1998, he was named International Person of the Year in the state of Utah and Outstanding International Educator of the International Section of the American Accounting Association. In 2012, Lee was honored when the award for the top article published in the Journal of International Accounting Research in the past decade was named the Lee H. Radebaugh Notable Contribution to International Accounting Research.  Daniel P. Sullivan, Professor of International Business at the Alfred Lerner College of Business of the University of Delaware, received his PhD from the University of South Carolina. He researches a range of topics, including globalization and business, international management, global strategy, competitive analysis, and corporate governance. His work on these topics has been published in leading scholarly journals, including the Journal of International Business Studies, Management International Review, Law and Society Review, and Academy of Management Journal. In addition, he has served on the editorial boards of the Journal of International Business Studies and Management International Review.  Professor Sullivan has been honored for both his research and teaching, receiving grants and winning awards for both activities while at the University of Delaware and, his former affiliation, the Freeman School of Tulane University. He has been awarded numerous teaching honors at the undergraduate, MBA, and EMBA levels—most notably, he has been voted Outstanding Teacher by the students of 18 different executive, MBA, and undergraduate classes at the University of Delaware and Tulane University. Professor Sullivan has taught, designed, and administered a range of in-class and online graduate, undergraduate, and nondegree courses on topics spanning globalization and business, international business operations, international management, strategic perspectives, executive leadership, and corporate strategy. In the United States, he has delivered lectures and courses at several university sites and company facilities. In addition, he has led courses in several foreign countries, including China, Hong Kong, Bulgaria, the Czech Republic, France, South Korea, Switzerland, Taiwan, and the United Kingdom. Finally, he has worked with many managers and consulted with several multinational enterprises on issues of international business.

For courses in international business.

 

International business through theory and practice

Balancing authoritative theory and meaningful practice, International Business engages readers on the subject of conducting business in international markets. The authors’ descriptions and ideas of international business are enhanced with contemporary examples, scenarios, and cases that help readers effectively apply what they’ve learned. Now in its 16th Edition, International Business remains one of the best-selling and most authoritative international business texts available. As rigorous and practical as ever, this edition remains current through updated author-¿written cases, including seven entirely new cases, streamlined writing, and expanded coverage of relevant global changes.


Also available with MyLab Management

MyLab™ Management is an online homework, tutorial, and assessment program designed to work with this text to engage students and improve results. Within its structured environment, students practice what they learn, test their understanding, and pursue a personalized study plan that helps them better absorb course material and understand difficult concepts.

 

Note: You are purchasing a standalone product; MyLab Management does not come packaged with this content. Students, if interested in purchasing this title with MyLab Management, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.

 

If you would like to purchase both the physical text and MyLab Management, search for:

 

0134642287 / 9780134642284 International Business Plus MyLab Management with Pearson eText -- Access Card Package, 16/e

 

Package consists of:

  • 0134200055 / 9780134200057 International Business
  • 0134253345 / 9780134253343 MyLab Management with Pearson eText -- Access Card -- for International Business


Boring Very dry and wordy.Perfect As described.Rent it Rent this book! It’s 2018

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Sunday, June 9, 2019

Proust and the Squid Free Pdf

ISBN: B00NLL4PFG
Title: Proust and the Squid Pdf The Story and Science of the Reading Brain

"Human beings were never born to read," writes Tufts University cognitive neuroscientist and child development expert Maryanne Wolf. Reading is a human invention that reflects how the brain rearranges itself to learn something new. In this ambitious, provocative book, Wolf chronicles the remarkable journey of the reading brain not only over the past five thousand years, since writing began, but also over the course of a single child's life, showing in the process why children with dyslexia have reading difficulties and singular gifts.

Lively, erudite, and rich with examples, Proust and the Squid asserts that the brain that examined the tiny clay tablets of the Sumerians was a very different brain from the one that is immersed in today's technology-driven literacy. The potential transformations in this changed reading brain, Wolf argues, have profound implications for every child and for the intellectual development of our species.

Richly informative... Maryanne Wolf has written a richly informative work, which covered a number of areas that I had very limited knowledge of. She is an academic who has made numerous complex subjects and concepts accessible to the non-specialist, yet has not trivialized the material. She never explains when and how she had the inspiration for a very memorable title, which would nag with the question: What could Marcel Proust and a Squid possibly have in common? Ah, like so much in the book, and in real life, it is the connections that our neuro-pathways make.The author has covered three principal topics. As she explains in the first chapter: "This book consists of three areas of knowledge: the early history of how our species learned to read, from the time of the Sumerians to Socrates; the developmental life cycle of humans as they learn to read in ever more sophisticated ways over time; and the story and science of what happens when the brain can't learn to read."Admittedly, rather late in life, I finally read The Odyssey. The version was a new one by Barry B. Powell. In his introduction, he posits the theory that the Greek alphabet was invented around 800 B.C., in order to record the poetic rhythm of Homer's epic tale. Thus I was particularly attentive to Wolf's account of how writing systems evolved, starting with the "bird tracks," of the Sumerians through the Akkadians (a language I have only recently become aware of - apparently there are a few hundred people in the world still trying to keep the language alive) and on to the hieroglyphics of the Egyptians. Each of these languages contained a pictorial element. It was only when the Greeks invented their language, which was largely and directly related to the phonetics of the language, that a true alphabet was established.In human evolution the ability to read has developed only recently. Wolf makes the point that we are not "hard-wired" to read. For each of us, we must learn - sometimes painfully, and with limited success - to develop those neurological pathways that make sense of the small, repetitive shapes on a piece of paper - or now, increasingly, on a digital screen. I found this section fascinating too. For example, she cites the work of three Chinese neurologists in the 1930's who studied the case of a bi-lingual businessman who had a severe stroke. He had completely lost his ability to read Chinese, but could still read English. It required completely different sections of the brain to read a more pictorial based alphabet as opposed to the limited characters in the alphabet used to write English.Another section that strongly resonated concerned re-reading books at different periods in one's life, deriving different meanings depending on the evolving experiences in one's own life. Wolf specifically mentioned George Eliot's Middlemarch (Penguin Classics) which she had read several times, which was precisely the theme of Rebecca Mead's recently published My Life in Middlemarch. I too have been re-reading a number of works first read 30-40 years ago, finding new meaning, and re-assessing.The last third of the book dealt with those who have difficulties reading, and are often labeled dyslexic, a term that Wolf says has no real meaning. She does cover the number of areas in which individuals may have deficiencies in their ability to read fluently. These deficiencies can be unique, or overlapping. And it seems that the brains of these individuals are simply different, with more equality between the left and right hemispheres. And "dyslexics" seem to be more creative. She names numerous historical individuals who appear to have had that problem, and whose names are definitely remembered today, like Einstein. She also reveals it is a personal issue, since her son has had reading problems.I did have some problems with this book. First and foremost, Wolf repeatedly makes the point that Socrates was opposed to the transition from the oral to written medium for conveying knowledge, and attempts to connect that to the transition from knowledge obtained through books to that obtained from the Internet. But she never really develops this theme; she just raises it repeatedly. I felt particular unease - though I admit doing it myself, in deciding a book of Diane Arbus' photographs was not suitable viewing material for my once-upon-a-time seven year old daughter - to Wolf's theme that access to knowledge should be "guided." That concept is right out of the playbook of many a totalitarian state... or, increasingly, wantabees. Who does the "guiding" and with what criteria was another topic she did not address. I also felt she succumbed to a congenital weakness of academics: "plugging" the work of colleagues for no particular purpose, other than, the "plug."Finally, and it is a particular concern of mine. With all the effort that is expended on learning how to read - to obtain that "eureka" moment that Wolf beautifully described in one case, why do so very few people continue to read serious works once the school assignments are finished? Also, unaddressed. Overall, for Wolf's work, a very informative 4-star rating.Still relevant Although Maryanne Wolf has recently (2018) published 'Reader, Come Home', 'Proust and the Squid' published in 2008 is still very relevant. Neuroscience has advanced tremendously, and as 'Reader Come Home' tells us what the advances have been and what is still unknown, 'Proust' tells us what basics we need to know about the origins of literacy - no, we never had a 'reading' gene. The brain constructs micro circuitries in order that it understands the symbols we call the written language. Then adding auditory sense, enables us to understand, and then to memorise. This book explains clearly what causes reading disability and why it need not - and should not be a handicap.

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Monday, June 3, 2019

Patternmaking for Fashion Design Pdf

ISBN: 9332518114
Title: Patternmaking for Fashion Design Pdf

Printed in Asia - Carries Same Contents as of US edition - Opt Expedited Shipping for 3 to 4 day delivery - - Does NOT include any CD

Printed in Asia - Carries Same Contents as of US edition - Opt Expedited Shipping for 3 to 4 day delivery - - Does NOT include any CD

A comprehensive review after reading all the others I wanted to give a review about this book but before I do, I feel that you need to know something about my background and how it relates in my synopsis of the text. I am a freelance patternmaker that lives in New York. I have a BFA in Fashion Design and Marketing and I have been making patterns for roughly about 16 years. I have also taken some additional classes in recent years to learn new techniques and enhance previous ones I have learned. I own several other books ranging from basic patternmaking, books that specialize in lingerie patterns, and menswear pattern books. I own patternmaking software and I am currently using all the things I have learned and applying it to drafting patterns on my computer. I own two dress forms (a half scale and a standard one) and I know how to drape. I know how to sew and construct simple garments such as a t-shirt and intricate ones like bridal gowns. I also know how to do rub-offs (copy garments) and how to grade (change the dimension of a standard pattern to fit a larger or smaller person). I wouldn't call myself a know-it-all or a master at this but I would say I know a great deal more than the average Joe when it comes to making patterns.That being said, I have come across all types of people that are learning or want to learn about patternmaking. Most of these individuals are designers (or people who think they are designers), fashion design students in college, people that sew as a hobby, or individuals that want to make some unique clothes and save some pennies in the process. All of these are good reasons to learn the skill. In order to learn anything, you need to start with the basics. When I refer to the basics, I mean that you need to start with knowing what a pattern is, what it's used for, and how YOU will incorporate its use in what you need to do. By knowing this, you can figure out where you need to start and what type of book will give you the information you need to get you there.When I was studying in college back in 1993, a very good teacher introduced me to the basics of patternmaking. She instilled in me the importance of accuracy, explained the use of the tools, showed me how to measure and incorporated the application of those measurements in developing the basic pattern (also referred to as a sloper or block). This was where I was introduced to the book, PATTERNMAKING FOR FASHION DESIGN (1st Edition). Although I used this book, it wasn't introduced into the curriculum until my third patternmaking class and the reason for this I think was because the teacher felt it may have been too advanced for a beginner with no prior knowledge of patternmaking like me. The first patternmaking book I was ever introduced to was HOW TO DRAFT BASIC PATTERNS (4th Edition) by Ernestine Kopp, Vittorina Rolfo, Beatrice Zelin, and Lee Gross. Even though that book was more basic than Helen Joseph-Armstrong's book, you still need to know the basics of the human body, measuring, and how to use the tools properly and I feel the best way to learn those things is from a qualified teacher or industry expert. Books will mean very little to you if you can't relate to the information within and if you don't have a reference to gauge your performance like a teacher or a tangible sample of what you are doing.Now for the most important part of this, the review:Like I said previously, I own a hard copy of the original book and I also have this new 5th edition (a digital Kindle version on my tablet). I feel that this book is good for an individual that already knows the basics of making patterns and wants to learn about more intricate garments and how to make patterns for those garments.PROS1. In comparison to the 1st edition I own, they have added information about computerized patternmaking (not how to draft on a computer, just on developments related to the industry), a menswear section, a childrens section, more information on drafting knitwear patterns and swimsuits, detailed directions on jacket construction (which is one of the most challenging things in sewing, in my opinion), and how to copy ready made clothing design. If you are on the fence about getting an older edition, I say you should get this (unless you get the older edition for a very good price).2. This edition highlights certain diagrams and instructions in a different color making following along easier for the reader.3. It's available as an eBook, which for me is good because I like to refer back to certain sections if I have a question about a technique or process. Easier to carry around on a 7" tablet when I'm out on a freelance gig. Plus, the eBook is cheaper. I like that they've taken the step to make it available as an eBook. Hopefully, the other publishers will follow suit.4. Very good illustrations.CONS1. Like a previous poster said, there are some errors with drafting the armhole for the basic pattern and they have some other numerical errors. For the asking price, they should make sure that these are perfect before demanding someone spend that amount of money. In my case, I purchased it for more of a reference guide. I have enough experience to correct the errors within when I draft patterns and the foresight to not even apply them to what I'm drafting.2. Although I think the illustrations are good, a lot of them seem a bit dated style-wise. What's more important to the user of this book is that they grasp the concept of the style lines they want in the garment and be able to apply those techniques in developing a style that is aligned with current market trends.I gave the book 4 stars because it does most of what it intends to and that is to inform the reader about various patternmaking techniques and how those techniques apply to the development of different styles across all markets, genders, size ranges, and age groups. It lost a star for the errors in the text, which is inexcusable.Before I end, I would like to offer some advice, tips and suggestions that may help the previous posters and additional people looking to learn patternmaking or wanting to buy books on the subject.When you use this or any patternmaking book, the measurements given within are a collection of general data taken from a small sample of human beings. Even if you magically happen to fit into one of those general categories, you still have to check and fit the final pattern by making muslin mock up. It would also help if you had an additional set of hands or a person that is knowledgeable in fitting to help you (you can't check your own back, your own shoulders or adjust a hemline properly without some assistance). That way, you know where the issues are and you can apply the corrections accurately for the best results.Know how to measure and know how to convert fractions into decimals. (i.e. 1/2"=.05, 5/8"=.6250 etc.). It surprises me the amount of people I come into contact with that have no idea on how to use a tape measure.Buy the right tools and learn how to use then properly. To make patterns, the most basic tools you need in you arsenal are:1. An 18" C-Thru transparent inch/metric ruler2. A plastic French curve3. A hip curve4. A pencil5. An eraser6. A tape measure7. Paper (blue dot paper is the best option because it will help beginners with their accuracy by lining up the dots but if you don't have that option available to you, you can get a roll of that white paper they use at the doctor's office. The stuff that they roll out on the examination table that you sit on. You should be able to buy it at a medical supply store and almost every town or city has one).In the beginning of most patternmaking books, you will see a more detailed list of supplies but if you have these basic things, you can make any pattern. If you do it more frequently or want to invest more in the process, you can buy additional tools.Before buying this or any book, check your local library to see if they have a copy. You'll be surprised at what you find. You can also check the local college bookstore to see if the material is relevant before pulling the trigger. In New York, FIT is a good resource for this and it's open to the general public. A lot of local New York libraries in Manhattan, Brooklyn, and Queens have patternmaking books in their collections.If you can, take a class or find someone reputable that can teach you the basics. Once you have learned the basics and have the concept of how to create a pattern from scratch and how that relates to a finished garment, you will be able to better understand any book.Check YouTube and the Internet for videos and how to blogs and/or posts.In reference to the comment I made about the different types of people that want to learn patternmaking, I will offer a few book suggestions. All the books I am recommending I personally own.If you are a designer wanting to make patterns for your collection, this book is a good recommendation but if you have absolutely no knowledge about the process, you may want to start with HOW TO DRAFT BASIC PATTERNS (4th Edition) by Ernestine Kopp, Vittorina Rolfo, Beatrice Zelin, and Lee Gross and after you have learned most of the basics, you can get the other book that accompanies this one titled DESIGNING APPAREL THROUGH THE FLAT PATTERN (6th Edition) by the same authors. It builds on the first book by helping you to develop more complex styles.For fashion design students, this book is one that you are probably using or are going to use and it's appropriate in a college setting because you should have a professor that can instruct you on the proper way to make a pattern and that can point out any mistakes in this book and how you can correct or improve on them. A good additional read is APPAREL MAKING IN FASHION DESIGN by Injoo Kim and Mykyung Uh. I was able to borrow this from my local library and decided to invest in it after reading through it extensively. I took a patternmaking class in 2010 and the way the teacher instructed me is very similar to the method in this book (she didn't use this book in class and was not familiar with it). It gives very good and detailed instructions and the illustrations are very good and easy to follow. One of the best things about this book is the way that the author diagrams slash and spread techniques and shows the direction for scissor placement.For the home sewers, I found that most of them have gained some of their knowledge from using commercial patterns which is a decent start but from a development standpoint, I think that THE PRACTICAL GUIDE TO PATTERNMAKING FOR FASHION DESIGNERS JUNIORS, MISSES, AND WOMEN by Lori A. Knowles is a good book for this category mainly because the book shows you how to develop a pattern based on a particular styles included in the book and how to change/develop some of those styles by changing a piece like a sleeve. The book has very detailed illustrations and reference styles by numbers so you can follow along. The beginning of the book has very good instructions on taking measurements on the body to develop the basic patterns and they even demonstrate the draping technique to develop the basic pattern. The book includes a really detailed measurement chart for regular, petite, and plus-sized women. There is also a menswear version of this book, which is rare in patternmaking books.My best advice for the individual that wants to make an occasional pattern for sewing up a garment is to go to your local thrift store or Goodwill and buy a really cheap version of the garment you want to make that fits, take it apart stitch by stitch, iron the pieces flat, trace them on paper and you'll have a pattern. If you want more comprehensive lesson on this without taking the garment apart, refer to PART 6 CHAPTER 25 of this book. Google and YouTube are also your friends.I know this was a really long read but I spent most of my Sunday evening writing this in hopes that it helps clear up some misconceptions and misunderstandings about the book.*** UPDATE 3/15/12 ***I was reading through some of the past reviews and one reviewer, 1st nest, made a very valid point in comparison to this edition and the 1st one. They have omitted a section of the book, a 52 page chapter at the end that discussed fitting problems and pattern corrections. For a beginner or even a seasoned pro, that particular section has a lot of good information for fitting and would prove useful if you were having problems with the fit of the garment (which is very common with your first draft). If I could adjust the way I rated the book based on this, I would probably lower it to 3.5 stars. All in all, this still is one of the most comprehensive books I have ever read about patternmaking.If you can get your hands on a 1st edition, the fitting section alone would be well worth it.Great book... if you have a teacher as well. As an aspiring designer who can't afford to go to design school, I bought this book (and the draping book from the same author)in hopes of teaching myself how to make clothe. I decided to get this book after hearing about its common use in schools. I mean what better book to get than the one they use in fashion school right?The good:-A lot of variety. The book teaches you how to make the very basic and then how to distort it and transform it into whatever design you want.-It has women's, men's and children's sections, as well as things such as bikinis and leotards.The bad:-Some of the directions are unclear. As someone who tried to learn with no outside help, I found myself extremely frustrated (specially in the beginning) when sometimes instructions seem to jump a step.-The illustrations are not always clear. For instance in the pants fitting part of the book, it was hard to compare what I was seeing in real life to the drawn pictures in the book.-Few sewing instructions. The book shows how to cut the pattern so the fabric can later be manipulated, but doesn't show you exactly how you would go about sewing that cut.-Some of the methods are outdated. After consulting with someone that has been working in the industry for the last 25 years I leaned that a few of of the instructions and techniques given are no longer used in garment production. This idea was reenforced to me after I had a dress ruined because the defect on the pattern only showed itself after I tried sewing with a fine fabric.-Some instructions are overly complicated. I find this specially in the sleeve instructions.In all this is a good book if you already know the basics or if you have a teacher. I would have had little to no complaints if I fell into either categories when I bought it. It's a great resource and can sometimes even be used as source of inspiration for a design. I should also mention that although the book covers fittings, a lot of it you will have to learn on your own. I had occasions where I did all the book suggested and fail, only to later find a solution for a fit on my own.

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